PUBLICATIONS

Adewole Elliott, F (2024). Dance teaching in HE: Further thoughts on the possibilities of artistic
citizenship for decolonial practice. Studies in Theatre and Performance, 44(1), 136–141.
https://doi.org/10.1080/14682761.2024.2338976

Adewole Elliott, F (2023) Dancing and the stance: Mapping a creative practice in African Dance
Drama. Dance Research 4.1.2, pp. 194-206

Adewole, F (2021) The dance artistry of Diane Alison-Mitchell and Paradigmz: Accounting for professional practice between 1993 and 2003. In Theatre, Dance and Performance Training, 12:2, 250-265

Adewole, F (2018) Africanist choreography as cultural citizenship: Thomas ‘Talawa’ Prestø’s philosophy of Africana dance. In Laura Cull and Alice Lagaay (eds) Routeledge Companion to Performance Philosophy. London: Routeledge

Adewole, F. (2018) Curating performance from Africa for international stages: Thoughts on Artistic Categories and Critical Discourse. In: Davida, D., Pronovost, M., Hudon, V. and Gabriels, J. (Eds) Curating Live Arts. Brooklyn: Breghahan Books.

Adewole, F (2018) James Mweu and Kunja Dance Theatre: Contemporary Dance as African Cultural Production. In: Hutchinson, Y. and Okoye, C. (Eds.) African Theatre: 17, Oxford: Boydell & Brewer

Adewole, F. (2016) Caribbean dance: British Perspectives and the choreography of Beverley Glean. In: (Eds) T.DeFrantz and P.Rothfield, Choreography and Corporeality: Relay in Motion. UK: Plagrave Macmillian, pp. 67-82

Adewole, Funmi. (2005) Dance Theatre and African Identities: Crossing Physicality and Academia – Keynote address. In Dance Heritage: Crossing Academia and Physicality. Proceedings of 7th NOFOD Conference. Reykjavkiv April 15-18 2004. PP. 12-26

Adewole, F (2023) Towards decoloniality and artistic citizenship: A manifesto. In N. Colin, C. Seago &
K. Stamp (Eds.) Ethical Agility in Dance: Rethinking Technique in British Contemporary Dance (1st
ed.). Routledge. https://doi.org/10.4324/9781003111146

Adewole, F. (2017) The construction of the Black dance/African Peoples' dance sector in Britain: Issues arising for the conceptualisation of related choreographic and dance practices. In: (Eds) C. Adair and R.Burt, British Dance, Black Routes. Routledge. New York, pp. 125-148

Adewole, F. (2015) The Impact of Impact dance: Hakeem Onibudo's Praxis. In: P. Brookes ed., Blurring Boundaries: Urban Street meets Contemporary Dance. Serendipity, Leicester, pp. 34-43

Adewole, Funmi. (2003). La danse Africaine en tant qu’art du spectacle. In Claire Rousier (ed)Etre ensemble: Figure de la communaute en dance depuis le xx siecle. Recherches. Centre Nationale de la danse. PP. 297-310.

Adewole, ‘Funmi (2000) Etere: A research project looking at the movement principles underlying the dance of the Ibo people of Nigeria. In Gill Clarke (ed) Self Sown: Artist-led Projects at Chisenhale Dance Space. 1998/99. PP. 4-5

Adewole, F (Ed) Hotfoot magazine Re:generations Conference 2019 edition Birmingham: One Dance UK.

Adewole, F (Ed) (2017) Hotfoot Re:generations Conference 2016. London: The Association of Dance of the African Diaspora (ADAD)

Adewole, F (Ed) (2017) Hotfoot 21st Anniversary Edition - The Association of Dance of the African Diaspora. London: One Dance UK.

Adewole, Funmi and Matchett, Dick and Prescod, Colin (Eds) (2007) Voicing Black Dance: The British Experience 1930s – 1990s. A reader produced for the ADAD Heritage Project 2007. London: ADAD.

Adewole, F (2013) Sea-Salt in the City. UK: Circaidy Gregory Press.